Download Lourdes Portillo: The Devil Never Sleeps and Other Films by Rosa Linda Fregoso PDF

By Rosa Linda Fregoso

Filmmaker Lourdes Portillo sees her project as "channeling the hopes and goals of a people." sincerely, political dedication has encouraged her collection of topics. With issues starting from country repression to AIDS, Portillo's motion pictures contain: "Despues del Terremoto", the Oscar-nominated "Las Madres: The moms of the Plaza de Mayo", "La Ofrenda: the times of the Dead", "The satan by no means Sleeps", and "Corpus: a house motion picture for Selena". the 1st examine of Portillo and her motion pictures, this assortment is collaborative and multifaceted in technique, emphasizing facets of authorial creativity, viewers reception, and construction approaches in general hidden from view. Rosa Linda Fregoso, the amount editor, has geared up the booklet into 3 elements: interviews (by Fregoso, Kathleen Newman, and B. Ruby Rich); severe views (essays by way of Fregoso, Yvonne Yarbro-Bejarano, Sylvie Thouard, Norma Iglesias, and Barbara McBane); and creation fabrics (screenplays, script notes, storyboards, etc.). This cutting edge assortment offers "inside" info at the demanding situations of creating self reliant movies. via describing the construction constraints Portillo has surmounted, Fregoso deepens our appreciation of this proficient filmmaker's lifestyles, her struggles, and the evolution of her artwork. Rosa Linda Fregoso is the writer of "The Bronze monitor: Chicana and Chicano movie Culture". She is Professor of ladies and Gender reports on the collage of California, Davis.

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Lourdes Portillo: The Devil Never Sleeps and Other Films

Filmmaker Lourdes Portillo sees her venture as "channeling the hopes and desires of a humans. " truly, political dedication has encouraged her collection of topics. With topics starting from nation repression to AIDS, Portillo's movies comprise: "Despues del Terremoto", the Oscar-nominated "Las Madres: The moms of the Plaza de Mayo", "La Ofrenda: the times of the Dead", "The satan by no means Sleeps", and "Corpus: a house motion picture for Selena".

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L: Yeah. And if they screw up, you kick their ass. Stuff like that, yeah. RL: Why is the heart or love so important to your subject manner? L: Well, rather than try to convey political oppression, economic oppression, I think what I’m trying to do is, I’m trying to touch people’s humanity with the humanity I’m trying to portray. So that people can look at 28 01B-T1497-P1 01/23/2001 2:43 PM Page 29 I N T E RV I E W W I T H L O U R D E S P O RT I L L O ( 1 9 9 8 ) these films and then feel something and not just intellectually try to conceptualize something.

I consider Portillo to be a model for younger filmmakers who want to pursue the independent route. Located on the fringes of commercial television and the Hollywood Studio system, Portillo has generally been able to make films on her own terms, with relative autonomy and freedom. To be sure, her life as an independent artist without the steady flow of a monthly paycheck has taken its financial toll, for as a single mother raising three sons, she has usually lived from grant to grant, often mortgaging her house to finance her next project.

But, I wanted melodrama to be a part of my film, and I knew that in some way it would turn some people off because that’s not what Americans like. Americans don’t like this kind of melodrama. But I was bent on doing it. And it’s a mystery because there are things that I don’t know, that we try to discover. And it’s 43 02-T1497 01/23/2001 2:43 PM Page 44 L O U R D E S P O RT I L L O docu because it’s documentary. One of my main objectives was really to make melodrama a part of a documentary, which is really not done.

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