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By Axel Hering, Dr. Magdalena Matussek, Dr. Michaela Perlmann-Balme

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Searle, possesses the truth about Austin), needs to stick a copyright on his text. If Searle is fundamentally right, if he represents what is “obviously true,” his reply is no longer his own. 14 Moreover, Derrida devotes his attention to the acknowledgments contained in Searle’s reply, where he thanks Hubert Dreyfus and David Searle (“This is the first note of the Reply”). This exposes a second contradiction in the use of the copyright, that of the improbability of the exclusive paternity of Searle’s reply.

26 The vocabulary here is clearly phenomenological, revelatory of the way in which deconstruction systematically exposes the wheels of the phenomenological intentionality behind signification, representing the last avatar of voluntarism that dresses up Western metaphysics. If deconstruction is perfectly coherent as it applies to phenomenology, it is on the other hand more doubtful that it can be applied harmlessly to theories of meaning, primarily to Austin’s theory, which has no connection to phenomenology.

The transition from oral communication to written communication—which implies the material inscription of the message and its maintenance beyond the moment of its production—does not affect in any way the mechanism of the communicative transmission. ” In other words, writing amounts to the undamaged relay of face-to-face communication. Such a system is thus necessarily built on a continualist and isomorphic conception of writing. For this, writing employs a power of communication identical to that of concrete speech and gesture.

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