Download Descriptive Metadata for Television: An End-to-End by Mike Cox PDF
By Mike Cox
Descriptive Metadata for tv is a accomplished creation for tv pros that have to comprehend metadata's objective and know-how. This easy-to-read booklet interprets vague technical to hands-on language comprehensible through actual humans. * Must-have details for video creation in an IT international* Introduces metadata to those who have simply heard of the observe* brief and introductory--no technical wisdom precious
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Additional info for Descriptive Metadata for Television: An End-to-End Introduction
It has traditionally been common practice for the logging to be started in earnest only when the recordings have been returned to the production center— frequently a researcher or production assistant would sit down and view the tapes and log them at the same time. With analog recordings from the camera, logging this information is not inconvenient because it can be combined with the tedious task of ingesting the material into a digital system. However, as more cameras and audio recorders capture material directly into the digital domain, the former method will become an increasingly inefficient way of working.
Which rights are to be retained and which sold? Are there any rights implications for the input material and resources? Will the idea or format be licensed to only one organization or sold to many organizations internationally? Timescales and delivery details need to be agreed upon, along with stage payments and authorization or approval authorities. The commissioner will want his or her own stamp on the look and treatment of the program and how it is structured and will have ideas for the distribution media and how publication will be scheduled.
Conversely, the archivist will probably see little need for knowing who owned the field where the shoot took place or what the access arrangements were. Neither of them would be particularly interested in playout automation metadata—though advertising clients most certainly would be! Each part of the planning workflow makes its own contribution to the finished program—right from the morning shower (where all the best ideas are born) through researching, commissioning, production, postproduction, indexing and cataloging in the library, and on to publication (playout).