Download Cinema Journal, Volume 8, Issue 2, Spring, 1969 by Richard Dyer MacCann, Editor PDF
By Richard Dyer MacCann, Editor
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Extra info for Cinema Journal, Volume 8, Issue 2, Spring, 1969
Luft: Carl Mayer, Screen Author Volume VII, Winter, 1967-68 Lewis Jacobs: World War II and the American Film Paul Falkenberg: The Editor's Role in Film Making Gerald Noxon: The Bayeux Tapestry Donald Donald Robert Robert Walter Volume VI, 1966-67 Staples: The Auteur Theory Reexamined McCaffrey: The Mutual Approval of Keaton and Lloyd Steele: The Two Faces of Drama Gessner: Studies in Past and Decelerated Time Stainton: The Prophet Louis Ducos du Hauron THE SOCIE'lTY OF CINEMATOLOGISTS A learned society founded in the spring of 1959, the Society of Cinematologists is composed of college and university film educators, film makers, historians, critics, scholars, and others concerned with the study of the moving image.
If we are to believe Schickel, the "true" Disney was just emerging at this time into the burgeoning business genius after a series of financial setbacks around the time of Bambi and Pinocchio and Fantasia. Feild treated a half-formed figure in time of transition and gave us an extensive explanation of Disney's animation procedures. Buena Vista, the distribution company, Disneyland, the television work, the live-action films-all of these came after the war. They illuminate Disney the business man, the organizing genius.
Grizzly Golfer, 1951, directed by Pete Burness. Drawings of Roadrunner and Coyote by Chuck Jones. Backgrounds and overlays frotm When Magoo Flew (pages 20-21) and Grizzly Golfer (inside back cover, courtesy of Pete Burness. Frame from Magoo's Canine Mutiny (page 24) from USIA overseas editors' packet, "The American Film," 1956. Sketch of Magoo (front cover) by Pete Burness originally appeared in 1)on Freeman's Newsstand, a magazine privately printed in Los Angeles. Sketches of Magoo as he was in his early years, by John Hubley especially for this magazine.